Biography
1965 born in Vienna
1987–93 Academy of Applied Arts, Vienna / Visual Media Design (class of Peter Weibel); Diploma 1993
1991–94 Institute of New Media at the Städelschule Frankfurt/Main (post-graduate studies)
assistant to Dara Birnbaum, Matt Mullican, Peter Weibel
1995/96 project-related residency in New York
1996/97 guest professor for Visual Communication at the Academy of Design, Offenbach/Main
1998 artist-in-residence at the Schindler House program / MAK Center for Art and Architecture in Los Angeles
1999–2006 advisory board of Vienna Secession, 1999 – 2001 vice president
2000–2003 curatorial projects in the framework of haus.0 program at Künstlerhaus Stuttgart
2005–2006 professor for Film and Video, Merz Academy, Stuttgart
2006 professor for Art and Digital Media at the Academy of Fine Arts, Vienna
2007 adjunct professor at the Art Institute Boston / Lesley University
lives and works in Vienna and Berlin
International gallery and institutional exhibitions, commissions and projects in public space; workshops and presentations in the framework of international art/educational institutions. Since 1999 curatorial projects and publications (Vienna Secession, haus.0 program at Künstlerhaus Stuttgart, Neue Galerie Graz, Center for Art and Media Technology ZKM Karlsruhe).
The work focuses on contemporary forms of an art practice established around the relation of cinema and New Media with an emphasis on notions of identity, representation and (feminist) film theory. Productions including and intersecting the fields of installation, film / video, text / publications, curatorial projects and websites. Furthermore, the projects include works in public spaces (the most recent one an invitation for the competition in the framework of a redesign of a section of Vienna's Karlsplatz subway passage).
Solo Shows (Selection)
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2010 2007 2005 2004 2001 2000 1999 1998 1997 1996 1995 1994 1993 1991 |
“My_Never_Ending_Burial_Plot”, Engholm Galerie, Vienna “In an Act There is no After: On the Project Series X Characters. My_Never_Ending_Burial_Plot”, presented by Room Gallery and Orange County Museum of Art, OCMA Auditorium, California, USA “My_Never_Ending_Burial_Plot”, premiere at 60th International Filmfestival Berlin / Forum Expanded, Berlin “My_Never_Ending_Burial_Plot” at filmfestivals: Era New Horizon Filmfestival, Wrocław, Poland Diagonale Filmfestival, Graz Tel Aviv Film Festival, Tel Aviv, Israel “X Love Scenes”, Engholm Engelhorn Galerie, Vienna “X NaNa / Subroutine (The Difficulty of Being)”, Engholm Engelhorn Galerie, Vienna “X Subroutines”, Kunsthalle Bern, Bern “blindstorey / silencetracks”, commission for the Contemporary Art Collection of Stift Admont, Austria “A Memory of the Players in a Mirror at Midnight”, Entwistle Gallery, London “A Memory of the Players in a Mirror at Midnight”, Kerstin Engholm Galerie, Vienna “Art Statements”, Basel Art Fair “apartment”, Tiroler Landesmuseum Ferdinandeum, Innsbruck “OFF”, Kerstin Engholm Galerie, Vienna “10:45 / and then I often think of you”, Galerie Menotti, Baden “Time and Not the End of Desire”, Museum of Modern Art, Vienna “bo.track.32”, Public Netbase, Vienna “knot.project N.Y.C.” (w/ Peter Sandbichler), project in public spaces at the New Museum of Contemporary Art, Cooper Union School, Austrian Cultural Institute New York and other locations “kanal / The Media Pavilion (w/ Peter Sandbichler)”, Biennale di Venezia, Austrian Pavilion “kanal” (w/ Peter Sandbichler), Galerie Gaudens Pedit, Lienz “S. O. L.” (w/ Peter Sandbichler), Galerie Grita Insam, Vienna “True / False / Else”, Neue Galerie Landesmuseum Joanneum, Graz “A House Has a Top and Four Walls”, Galerie Krinzinger, Vienna |
Group Shows (Selection)
| 2011 |
“61. Internationale Filmfestspiele Berlin”, Internationale Filmfestspiele Berlin, Germany “The SIP Video Talks @ Videozone”, The 5th International Video Art Biennial, Center for Contemporary Art Tel Aviv, Israel |
| 2010 | “Play Admont. Spielerische Zugänge zu internationaler Gegenwartskunst”, Stift Admont, Styria, Austria |
| 2009 |
“X Love Scenes” (Summercinema of the Temporäre Kunsthalle Berlin in cooperation with the Arsenal Cinema Berlin), curated by Stafanie Schulte Strathaus “Die Fragilität des Seins. Ein medialer Bildessay in 9 Kapiteln”, (“Fragility of Being. A medial picture essay in 9 chapters”), Museum der Moderne Salzburg “See this sound”, Lentos Kunstmuseum Linz “Fragility of Being. Works from the Collection of the Museum der Moderne Salzburg”, National Museum of Contemporary Art (MNAC), Bucharest, Romania “Empfindung. In der Nähe der Fehler liegen die Wirkungen”, (Sensations. The effects lies in the closeness of the mistakes), Augarten Contemporary, Vienna “Another Tomorrow – Young Video Art from the Collection of the Neue Galerie Graz”, Slought Foundation, Philadelphia “Die große Illusion”, (“The big illusion”), Top Kino Vienna (Screening) “Asian Village”, in the course of the Wiener Festwochen |
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2008 2007 2006 2005 2004 2003 2002 2001 2000 1999 1998 1997 1996 1995 1994 1993 1992 |
“System Mensch. Werke aus der Sammlung des MdM Salzburg”, MdM Salzburg, Austria Museo Nacional Centro di Arte Reina Sofia, Madrid (Screening), Spain “Paraflows, MAK-Gegenwartskunstdepot Gefechtsturm Arenbergpark Femmes ‘R’ Us., Vienna, Austria “Feminismus in Popmusik Kunst Film Heute, Berlin, Germany “Mimetisme”, Extracity, Antwerp, Belgium “X Love Scenes”, Museo de la Reina Sofia, Madrid, Spain “Under Pain of Death”, Austrian Cultural Forum, New York City, USA “Forum Expanded: X Love Scenes”, 57. Berlinale, Berlin, Germany “Kino wie noch nie”, Akademie der Künste, Berlin, Germany 12e biennale de l'image en mouvement, Geneve, Switzerland “Demolition”, Engholm Engelhorn Galerie, Vienna, Austria “Cinepolis Film und Architektur”, Metropolis Kino, Hamburg, Germany “Why Pictures Now”, Museum Moderner Kunst, Vienna, Austria “Kino wie noch nie”, Generali Foundation, Vienna, Austria “Postmediale Kondition”, Centro Cultural Conde Duque, Madrid “Postmediale Kondition”, Neue Galerie, Graz, Austria “Nach Rokytnik – The EVN Collection”, MuMoK Museum Moderner Kunst, Vienna, Austria “Walden 3. Versuche in der Wildnis”, Kunsthaus Mürz, Mürzzuschlag, Austria “Lebt und arbeitet in Wien II”, Kunsthalle Wien, Vienna / Zacheta National Gallery of Art, Warsaw, Poland “Topographie im Blick. Filmische Konstruktionen von Orten”, Kino Arsenal, Berlin, Germany “PhotoEspana”, Madrid, Spain Busan Biennale, Korea 3. berlin biennial for contemporary art, Berlin, Germany “Communautés”, Institut d´art contemporain, Villeurbanne “Made for Admont”, Stift Admont, Austria Remont Gallery, Belgrade “Fate of Alien Modes” (curator) “Future Cinema”, Zentrum für Kunst und Medientechnologie, Karlsruhe “Transfer – Wien”, Sammlung Falckenberg/PhoenixArt, Hamburg “>redirect”, haus 0. program, Künstlerhaus Stuttgart “Limits of Perception”, Fondacio Miro, Barcelona “Uncommon Denominator: New Art from Vienna”, Mass MOCA, USA “Travelling”, curated von Antje Ehmann and Harun Farocki, Kunstwerke Berlin “Diesseits und jenseits des Traums. 100 Jahre Jacques Lacan”, Freud Museum, Vienna “Im Buchstabenfeld”, curated by Peter Weibel, Neue Galerie Graz “ACTION, ROLL: Endtroducing”, Villa Arson, Nice “Shopping”, Generali Foundation, Vienna “Interiors”, Galerie Six / Ungar, Munich “Artfilm” ART Basel, Stadtkino Basel “Illicit Form of Meditation”, haus. 0, Künstlerhaus Stuttgart “Never Alone Again”, La Panaderia, Mexico City “Skulptur als Möbel / Möbel als Skulptur”, Objekte aus der Sammlung der Neuen Galerie Graz “Rupertinum Fotopreis 1999”, Rupertinum, Salzburg “Der Medienturm”, Galerie Edition Artelier, Graz “Video Art Festival”, St. Petersburg “Kunst in der Stadt IV: Leben Kunst Werk”, Kunsthaus, Bregenz “Richtung Museumsquartier – Die neue Sammlung”, Museum of Modern Art, Vienna “Mars”, Post Gallery, Los Angeles “D.A.CH.com”, Galerie Krinzinger im Benger Park, Bregenz “Das Jahrhundert der Frauen”, Kunstforum, Vienna “Punkt Linie Fläche Raum: abstract photography from the collection of the Austrian Photo Gallery Rupertinum”, Salzburg “D.A.CH.com”, Galerie Krinzinger, Academy of Fine Arts, Semperdepot, Vienna “sincerly yours – Videoart in Austria”, Municipal Gallery, Sofia “there might be a place where one goes to feel better”, MAK Center, Los Angeles “Positionen österreichischer Gegenwartskunst / positionen hedendaagse oostenrijkse kunst”, Cultureel Centrum “Schaarpoord”, Knokke-Heist, Belgium “A Visao Austriaca”, Fundacao Calouste Gulbenkian, Lisbon “Interactus V”, Istituto Culturale de Hungaria, Rom / Museum of Modern Art, Vienna “Bestandsaufnahme Sehen”, Transmediale 1998, Berlin “Freeze Frame”, Galerie Grita Insam, Vienna “Time Is Man – Space Is A Women”, Galleria Viafarini, Milano “Jenseits von Kunst / Beyond Art”, Neue Galerie, Graz “balance.akte”, Niederösterreichische Landesgalerie, Vienna; Kunsthalle Krems “We Six” Galerie Brasilica, Vienna “Jenseits von Kunst / Beyond Art”, Museum Ludwig, Budapest “Film Stills”, Galerie Grita Insam, Vienna / Guadalajara “Co wlasliwie sprawia, ze dzisiejsze miasta sa tak odmienne, tak seksy? / What makes big cities so different, so sexy today?”, Galerie BWA, Lodz “Habitus Abito Habitare”, Museo Pecci, Prato “Out of the Dark”, Elga Wimmer Gallery, New York “Boxes”, Fotouhi Cramer Gallery, New York “reaching out”, Grita Insam Gallery, Vienna “Schrägspuren”, Tage zeitgenössischer Videokunst in Klagenfurt, Haus der Architektur, Klagenfurt “Austriaci a Roma”, Palazzo Braschi, Museo di Roma, Rome “Dress”, Galleria Planita, Rome “D.O.G. Radio”, Internet-Radio Projekt “Auf den Leib geschrieben”, Kunsthalle im Messepalast, Vienna “Skizzen, Modelle, Notizen”, Raum Aktueller Kunst, Vienna “Self construction”, Museum of Modern Art, Vienna, 20er Haus “Raum annehmen IV”, Galerie Grita Insam, Vienna “The Media Pavillon: kanal”, Biennale di Venezia, Austrian Pavillon, Venice “Translucent Writings”, Neuberger Museum of the Arts Purchase, NY; USF Contemporary Art Museum, Tampa, Florida “Lokalzeit: Wiener Künstler im Spiegel des Unbehagens”, Kunstraum Strohal Vienna; Moderna Galerija Ljubljana, Laibach; Fondazione Querini, Venice “Intelligente Ambiente” (w/ Peter Sandbichler), Ars Electronica, Brucknerhaus, Linz “Eigenwelt der Apparatewelt I”, Institute for New Media at the Städelschule, Frankfurt/Main “Photosynthese”, Vorsetzen Gallery, Hamburg “Eigenwelt der Apparatewelt II”, Stadtpark Gallery, Krems “Keimfreie Wesen befehlen mir die Galerie keimfrei zu halten”, Hubert Winter Gallery, Vienna “Gedanken, Skizzen, Entwürfe”, Karin Sachs Gallery, Munich “Computerkünstler”, Künstlerwerkstatt Lothringerstraße, Munich “Transparenz”, Palais Liechtenstein, Feldkirch “Découvertes”, (w/ U.K.F.), Grand Palais, Paris Visual Communications Lab, Boganzici, University Istanbul, Istanbul (Tape) “CVC – Computer Video Camera”, Grita Insam Gallery, Vienna “Die Idee einer Sammlung – 20 Jahre Galerie Grita Insam”, Dorotheum, Vienna “On justifying the hypothetical character of art and its non-identicality in the object world”, (in cooperation with Peter Weibel), Tanja Grunert Gallery, Cologne |
Curatorial Projects (Selection)
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2008 2006 2004 2003 2002 2001 1999 |
Mimétisme. Filmprogramm Hebbel am Ufer (HAU), Berlin; gemeinsam mit Anselm Franke. “Cinema Is Not A Bad School”, series of presentations in framework of lecture series in Merz Academy Stuttgart (with Elfi Mikesch, Christa Blümlinger, Babette Mangolte, Thomas Tode) “Fate of Alien Modes”, film program, ZKM Karlsruhe “Fate of Alien Modes”, Secession, Vienna “How We Got Into Pictures: film retrospective Noël Burch”, ZKM Karlsruhe and haus.0 program / Künstlerhaus Stuttgart “Wendelien van Oldenborgh”, MAK / CAT Contemporary Art Tower, Vienna “The Other Side: Missing Link, Wien 1970 – 1980”, haus.0 program / Künstlerhaus Stuttgart “Economy of Desire. Film retrospective Isaac Julien”, Steirischer Herbst, Graz “Unextinguishable Fire / Traces of a Staging: Harun Farocki, Olaf Metzel, Wendelien van Oldenborgh”, Künstlerhaus Stuttgart/haus.0 program, Stuttgart “Hotel Utopia”, filam and video program, Summerstage Festival, Vienna |
Symposia / Panels (Selection)
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2009 2008 2007 2006 2005 2004 2002 2000 |
“Episode 5: Hard Cases, Bad Dreams, All Happy Families: Seriality in Film and Television” with Christoph Dreher, Diedrich Diedrichsen. Moderation: Constanze Ruhm, Michaela Wünsch – In the course of the 59th Berlinale, Forum Expanded Talk and Shows Diederichsen Filmscreening and Artist Lecture at the Department of Visual and Environmental Studies, Harvard University Cambridge “Sound Cultures. A symposium at the Academy of Fine Arts”, organised in collaboration with Diedrich Diedrichsen, Vienna Filmmuseum Lecture at the Université Sorbonne Nouvelle – Paris III / Institut de Recherche sur le Cinéma et de l’ Audiovisuel (Christa Blümlinger, Philippe Dubois) “Reconsidering Relationality”,University of Florida Paris Research Center / Reid Hall “Alexander Alberro”, University of Florida, Nora Alter, University of Florida “Erinnern, wiederholen,übersetzen”. Artist’s talk with Christa Blümlinger in the framework of the exhibition “Cinema like never before”, Generali Foundation, Vienna “Shifting Identities”, A talk and conversation with Marina Grzinic in the framework of City of Women, Ljubljana Guest lecture at the symposium “Cinema and Contemporary Arts” in the framework of “Magis - Gradisca International Film Studies Spring School”, University of Udine Concept and organisation fot the lecture series “Cinema is not a bad school” at Merz Academy, Stuttgart; Speakers: Thomas Tode, Babette Mangolte, Christa Blümlinger, Elfi Mikesch, Thomas Schadt. “Theatricality in Contemporary Art” in the framework of the Visual Arts Program at the M.I.T., speaker and organiser in collaboration with Ute Meta Bauer “X NaNa / Subroutine. A Conversation with Rike Frank”, Engholm Engelhorn Gallery, Vienna “Shifting Identities”. Talk in the framework of “Shifting Boundaries”, a project by Regina Möller, Royal Art Academy Stockholm, Sweden “Postmediale Kondition”. Opening talk for the symposium, Neue Galerie, Graz “Anderes Kino / Other Cinema”, (w/ Christa Blüminger, Morgan Fisher, Sharon Lockhart, Mark Nash), panel in the framework of 3rd berlin biennial, Arsenal Kino, Berlin “A conversation with Constanze Ruhm.” With Martin Prinzhorn, Depot Wien “What is Enlightenment?”, Jan Van Eyck Academy, Netherlands |
Awards and grants
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2009 2004 2002 2000 1998 1996 1993 |
Award for Mediaart of Lower Austria Award for Fine Arts, City of Vienna Project Grant, Kunstfonds Bonn, Germany Wilfried-Skreiner-Award, Austria Fellowship at the Institute for Visual Media, ZKM Karlsruhe Women's Award for Achievements in Media Art, Ministry of Culture, Vienna Schindler Grant / Artist in Residence at the MAK Center for Art and Architecture, Los Angeles Award for Media Art, Austria Grant for Fine Arts of the Republic of Austria Award for Computer Graphics, Prix Ars Electronica |
Teaching
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since 06 2005/06 1996/97 |
Professor for Art and Digital Media, Academy of Fine Arts, Vienna Professor for Film and Video, Merz Academy, Stuttgart Guest Professor for Visual Media, Hochschule für Gestaltung Offenbach/Main |
TV- und Radiobeiträge
| 07.03.2010 | Beitrag in: „Wien heute“, anlässlich des Tages der Frau, ORF2 |
Bibliography
Catalogues / Publications (Selection)
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2010 2009 2006 2005 2004 2003 2002 2001 1999 1998 1997 1996 1995 1994 1993 1992 1990 1987 1986 |
“AAD Art Architecture Design Vienna“, Isabella Klausnitzer (Hrsg.), Wien, S. 52-53. C. Ruhm, D. Diederichsen (Hsg.), Immediacy and Non-Simultaneity — Utopia of Sound, Band 10 der Reihe Schriften der Akademie der bildenden Künste Wien “See this sound”, Stella Rollig, Cosima Rainer (ed.), (exh. cat.), Lentos Museum Linz “Kino aus zweiter Hand”, (“Second-hand Cinema”), Christa Blümlinger, Vorwerk 8, Berlin “Die Fragilität des Seins”, (exh. cat.), MdM Salzburg “Empfindungen oder in der Nähe der Fehler liegen die Wirkungen” (exh. cat.), Augarten Contemporary, Belvedere, Vienna “Minutentexte. The Night of the Hunter”, Hg. Michael Baute, Volker Pantenburg, Verlag Brinkmann & Bose “Kino wie noch nie” (exh. cat.), Generali Foundation, Vienna “Why pictures now” (exh. cat.), Museum of Modern Art, Vienna “Lebt und arbeitet in Wien II / Living and working in Vienna II” (exh. cat.), Kunsthalle, Vienna “Postmediale Kondition” (exh. cat.), Neue Galerie am Landesmuseum Joanneum, Graz “Simultan: Zwei Sammlungen Österreichischer Fotografie” (exh. cat.), Christian Brandstätter Verlag “Index”, DVD, Edition Medienwerkstatt, Vienna “Umwidmungen. Architektonische und Kinematographische Räume”, Gertrud Koch (ed.), Vorwerk8 Verlag, Berlin “Busan Biennale Catalogue” (exh. cat.), Korea “Komplex Berlin”, publication of the 3rd Berlin Biennale of contemporary art, Cologne “3. Berlin Biennale für zeitgenössische Kunst” (exh. cat.), Ute Meta Bauer (ed.), Cologne “Future Cinema” (exh. cat.), M. I. T. Press, Massachusetts “Blindstorey / Silencetracks” (exh. cat.), Constanze Ruhm (ed.), Vienna “Fate of Alien Modes” (exh. cat., ed.), Secession Vienna, Vienna “Limits of Perception” (exh. cat.), Fondacio Miró, Barcelona, Barcelona “Uncommon Denominator. New Art from Vienna” (exh. cat.), MassMoca, Massachusetts “Im Buchstabenfeld. Die Zukunft der Literatur” (exh. cat.), Neue Galerie, Graz “Action / Roll: Endtroducing” (exh. cat.), Villa Arson, Nice “Paramour – Kunst im Kontext neuer Technologien”, Katharina Gsöllpointner / Ursula Hentschläger (ed.), TRITON Verlag, Vienna “Das Jahrhundert der Frauen. Vom Impressionismus zur Gegenwart. Österreich 1870 bis heute” (exh. cat.), Kunstforum Vienna, Vienna “Time and not the End of Desire” (exh. cat.), MUMOK Museum of Modern Art, Vienna “Positionen Hedendaagse Oostenrijkese Kunst: culturel Centrum Knokke-Heist” (exh. cat.), Museum of Modern Art, Vienna “Transmediale 98. Video Television Multimedia” (exh. cat.), Berlin “Jenseits von Kunst” (exh. cat.), Peter Weibel (ed.), Museum of Modern Art, Budapest “Was macht die Großstädte heute so anders, so sexy? (Co wlasliwie sprawia, ze dzisiejsze miasta sa tak odmienne, tak seksy?)” (exh. cat.), Galerie BWA, Lodz “Habitus Habito Habitare” (exh. cat.), Museo di Arte Moderna, Prato “Out of the dark”, Elga Wimmer Gallery, New York “Rom suchen – Artisti Austriaci a Roma” (exh. cat.), Folio Vienna / Bozen “Kanal”, Constanze Ruhm / Peter Sandbichler (eds.), Vienna “Auf den Leib geschrieben” (exh. cat.), Kunsthalle, Vienna “balance.akt.96” (exh. cat.), Niederösterreichische Landesgalerie Vienna / Kunsthalle Krems “Self Construction”, MUMOK Museum of Modern Art, Ritter Verlag Vienna / Klagenfurt “The Media Pavilion. Austrian Contribution to the 46th Biennale di Venezia”, Peter Weibel (ed.), Springer Verlag Vienna / New York “Intelligente Ambiente” (exh. cat.), Ars Electronica, Karl Gerbel / Peter Weibel (ed.), PVS Verleger, Vienna Vienna “Lokalzeit – Wiener Künstler im Spiegel des Unbehagens”, Peter Weibel (ed.), Vienna “Translucent Writings” (exh. cat.), Grita Insam Galerie, Vienna “Transparenzen” (exh. cat.), Palais Liechtenstein, Feldkirch “True false else” (exh. cat.), Neue Galerie, Graz “Secret of Life”, Constanze Ruhm / Peter Sandbichler (eds.), Vienna “Computerkünstler”, Galerie Karin Sachs, Munich “On justifying the hypothetical nature of art and ist non-identicality in the object world”, Robert Fleck (ed.), Buchhandlung Walther König, Cologne “CVC - Computer Video Camera” (exh. cat.), Galerie Insam, Vienna “A House has a top and four Walls”, Galerie Krinzinger, Vienna “The Belly of the Beast”, Peter Weibel / Academy for Applied Arts, Vienna “Cultura Digitalis”, Zelko Wiener / Academy for Applied Arts, Vienna “Bild Digital”, Bund Bildender Künstler Munich |
Interviews / Contributions (Selection)
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2004 2002 2002 2000 |
Christian Tjaben, “Seven Women – An Interview With Constanze Ruhm”, in: Style & The Family Tunes, No. 67, Jan/Feb 2004 “Insert: Between Synopsis and Trailer” A commission for FRAME Magazine, in: FRAME Magazine, No. 11, Apr/May 2002 “Spaces of Translation: Speaking One Language, Understanding Another. A Conversation with Isaac Julien.”, in Camera Austria, No. 79 Maren Lübbke, “The Logic of the Obliterated Moment – Maren Lübbke in conversation with Constanze Ruhm”, text contributions by Ferdinand Schmatz, Christa Blümlinger, in: Camera Austria, No. 66 |
Reviews (Selection)
| 2010 |
Sven Beckstette, “Wenn Kunst auf Politik trifft. Ein Roundtablegespräch über politische Kunst mit A. Creischer, H.C. Dany, T. Eitel und C. Ruhm“, in: Texte zur Kunst, 20. Jahrgang, Heft 80, Dezember 2010. Michael Fembek, “Kunstbarometer 2010”, in: Gewinn, 9/10, September 2010, p. 38–43. Sabine B. Vogel, “Play Admont: Gesponnene Erfahrung”, in: www.diepresse.com, 04.08.2010. Carson Juli, “Liebe Arbeit Kino: Galaxie der Signifikanten.”, (“Love work cinema: Galaxy of the significant”), in: Texte zur Kunst Nr. 78, p. 166. KS, “Galerienspiegel – Galerienrundgang Schleifmühlgasse: Constanze Ruhm”, in: Parnass, Nr. 1, März/April 2010, S. 142 Dietmar Kammerer, “Der Teppich ist das Zentrum”, in: taz.de, 10.02.2010 |
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2003 2002 2001 2000 1998 |
Nina Schedlmayer, “Unmögliche Filme”, in: Profil, 20/03. “Brüllender Löwe, Loch in der Wand”, in: Die Presse, 10/05/03. Gregor Jansen, “Scream and Scream and Scream again”, in: Springerin, No 9, 1/03 Joachim Güntner, “Avantgarde in der Fabrik“, in: Neue Zürcher Zeitung, 19/03/03 “Uncommon Denominator: New Art from Vienna”, in: absolutearts.com, 24/05/02 Brigitte Huck, "Screen Memories", in: Parnass, 2/02, May/Aug “Insert.Constanze Ruhm”, in: FRAME, No. 11, Apr/May Michael Hall, in: tema celeste, February Friedrich Tietjen, in: Flash Art, No. 222, Jan/Feb, p. 100 Patricia Grzonka, “Erinnerungsbild”, in: profil, 07/01/02, p. 99 Reinhold Schachner, “Jacques Lacan, der Traum und die Kunst”, in: Profil, 20/12/01 Matthias Dusini, “Unsichtbare Gegner”, in: Falter, 50/01, p. 76 Gabriele Hoffmann, “In der Schußlinie”, in: taz, 04/12/01, p. 16 Ursula Maria Probst, “Was geschah mit Laura Mars”, in: www.artmagazine.cc, 26/11/01 Rainer Metzger, “Gruppenschau als Interferenzzone”, in: www.artmagazine.cc, 28/01/01 Cuauhtémoc Medina, “El Ojo Breve. Recorridos por el espacio indefinible del presente.” in: Reforma, 13/12/2000, p. 4 Brigitte Huck, “Mutter weist den Weg. Die Art Basel bestätigte erneut ihren Ruf, die Mutter aller Kunstmessen zu sein.”, in: Der Standard, 01/07/2000 Peter Frank, “Art Picks of the week. Mars”, in: LA weekly, 06-12/08/2000 Brigitte Huck, “Wien: Herbstlicher Ausstellungsrundgang”, in: Eikon, no. 26/27 Doris Krumpl, “Transzendenz-Bonbons. Felix Gonzalez-Torres sowie Constanze Ruhm im MMK im 20er Haus”, in: Der Standard |
Videography
| 2010 | ”My_Never_Ending_Burial_Plot”, color, sound, 69 min. |
|
2007 2005 2004 2001 2000 1999 1998 1997/98 1997 1996 1995/96 1994 1993 1992 |
”X Love Scenes”, color, sound, Loop 58 Min. ”X NaNa/ Subroutine (The Difficulty of Being)”, color, sound, Loop 30 Min. “X Characters: RE[hers]AL”, Color Sound, Loop, 74 min. "A Memory of the Players in a Mirror at Midnight", color Sound BetaCam, 24 min. “Time“, color Beta Cam PAL, Loop, 2 min. “Evidence“, color Beta Cam PAL, 5:30 min. “The Exorcist Tourist (10:45 again)“. color SVHS PAL. 60 min. “ID 851 – 205“. mixed with Eschi Fiege. 35 mm transfer to Video. color SVHS PAL. 6 min. “ID Remix“. mixed with Eschi Fiege. 35 mm transfer to Video. color SVHS PAL. 6 min. “travelling / Plan 234 / Extérieur Nuit“, 2:14 min., B/W S-VHS PAL. “there might be a place where one goes to feel better“. B/W SVHS PAL. 18 min “apartment“. B/W SVHS PAL. 18 min. “and then I often think of you“. color SVHS PAL. 12 min. “myself“. color VHS PAL. 5 min. “bo.track32“. color SVHS PAL. Ca. 12 min. “the (w)hole room“. B/W VHS PAL. 3 min. “knot.projekt.N.Y.C. / Documentary“. color VHS NTSC/PAL. 30 min. “knot.project.N.Y.C.“ Installation tape for installation in public spaces. color SVHS NTSC/PAL. 90 min. “26 years in the life of a female media artist“. B/W VHS PAL. 26 min. “anima“. color VHS PAL. 5 min. “heaven“. color VHS PAL. 3 min. “Kanal“. documentation for interactive installation / Biennale di Venezia 1995. color VHS. 30 min. “Secret of Life“. color VHS PAL. 30 min. “36 truth tables“. color VHS PAL. 18 min. “true/false/else“. color VHS PAL. 8 min. “Un Coup de Dès“. color VHS PAL. 12 min. “A house has a top and four walls“. color VHS PAL. 4 min. |
Links
www.constanzeruhm.net
www.haussite.net/haus.0/PROGRAM/INFO_2000/Illicit/illicit_E.html
www.haussite.net/haus.0/PROGRAM/02/missing/link_E.html
www.haussite.net/haus.0/PROGRAM/INFO_2001/farocki/farocki_E.html
www.haussite.net/haus.0/PROGRAM/INFO_2001/metzel/metzel_E.html
www.haussite.net/haus.0/PROGRAM/02/redirect/E/CAttraction_E.html
on1.zkm.de/zkm/stories/storyReader$2978
www.zkm.de/~ruhm/coming_attraction/
www.secession.at/art/2003_alien_e.html
www.zkm.de/~ruhm/Xcharacters/rehersal
www.berlinbiennale.de